Sea Cortez Pearl Blog

Making a small stop in our discussion about methodologies to identify between fake/imitation pearls and genuine pearls, we’re going into a more “historic mood”. We recently had a lively discussion with some friends about the name of our beautiful sea: the world-famous “Gulf of California” or “Sea of Cortez”.” Thus, we believed that this information would also be of interest to others who enjoy a more historical theme and because this year -2010- we celebrate the Mexico’s Bicentennial, which makes it all the more appropriate. If you want to be part of this debate, do take some time to place your comments.

Where do we get the name of “Sea of Cortez”?

The answer is almost obvious, although there are those who want to “forget” that Mexico is a country that resulted from being conquered by Spain about 500 years ago. This conquest was military and cultural, and gave origin to the country we now know as “Mexico” (although it is officially called “Estados Unidos Mexicanos” or “United Mexican States”) and the reason to why the official language is “Spanish” (or “Castillian”), the dominant religion is Roman Catholic and our “race” (or “races” some would say) and culture, including our renowned cuisine, is of “mixed-ancestry”: a multi-regional fusion of races and cultures. The name of “Sea of Cortez” then, pays honor to the Conqueror of Mexico, Don Hernán Cortés, a man very much interested in expanding the borders of the Kingdom of new Spain and exploit its newfound wealth, including its “black pearls”.

“Official” versus “Popular” Names

Now, the debate arose because some feel that this name – “Sea of Cortez” – is not official and therefore must not be used or even be “remembered”, that it should be “wiped out” into oblivion. Our answer would be the following: we (Mexicans) have an Official Country Name: “Estados Unidos Mexicanos” which is used before international organizations (such as: the United Nations (UN), UNEP, FAO, OAS, etc.) and even in a few federal institutions (such as INEGI), but we also have a common use or “Popular Name“, the latter being the one in the heart-and-minds of the common folk. Popular names are the ones meant to be savoured when used.

For us, it really would be the same case as in the use of “Mexico” and “Sea of Cortez”. There is really no reason to exclude one name over the other… both name can be used and they are in no way mutually exclusive. Thus it is almost impossible to imagine celebrating one of our National Holidays (such as “16 de Septiembre” or “20 de Noviembre”) to the cry of “¡Vivan los Estados Unidos Mexicanos!” (“Long Live the United Mexican States!”) instead of the most widely used “Viva Mexico!” (“Long Live Mexico!”).

Verifying the name of “Sea of Cortez”

This was the most heated debate point because it should focus on historical references on the use of the name of this area, and there are many references to varied names used by a large number of historical figures who visited this region during its exploration. Amongst these different names, we find some that specifically point to certain areas within the Gulf of California and do not make reference to this geographical area in general (the Gulf). Just to mention a few: “California” (which refers to the peninsula with the same name), “Calafia” (in reference to a mythical Queen of the exploits of “The Sergas de Esplandián“) and even other less popular as “Sea of Anian” (in reference to a mythical “ Strait of Anian“) and “Island of Pearls” (a very popular name for many great pearl producing areas). Under this frame of mind, another very appropriate name should also be that of “Sea of Seas” (using as reference the name of “Port of Ports” given to the Bay of Guaymas by Francisco de Ulloa in 1539). Which of these –then- is the most appropriate reference?

The answer cannot come neither from myths or tales… these were all necessary to inspire the “Conquistadors” unto action, but our references should have greater solidity. Who in New Spain had the skills to write down and record important events and references? Would the Spanish “soldadesca” (grunt soldiers) have these abilities? Probably the most robust and strong references would be found within religious missionaries (mainly Jesuits) and the public notaries that accompanied the conquering armies of Spain.

We therefore present an indisputable historical reference: a document written by the Jesuit priest Miguel Venegas, originally written in 1739 (although published in Madrid until the year 1752). This manuscript consists of 5 volumes and is entitled “News of the California and their temporal and spiritual conquest to the present time” and in volume 1 it records the following reference to this geographical area in general:

“The old discoverers called it “Vermillion Sea” and “Red Sea” because of the similarity of its figure and some color or appearance of its waters… they named it also “Sea of Cortez” in gracing the commitment with which the Conqueror of the Mexican Empire sought to advance through the glories of his conquests”

Thus we have reliable evidence on the name of this beautiful Mexican sea: “Vermillion Sea” or “Sea of Cortez”, and we can avoid any review of cartographic maps made by Europeans who –very likely- never visited this region (as it would be the case of Frederick de Wit, a famous Dutch cartographer who made the famous map indicating the mythical “Strait of Anian”).

Conclusions

You can use both names to suit your taste or preference, if you are doing any sort of “official work”, then by all means employ the name of “Gulf of California”, but you may use the name “Sea of Cortez” to your heart’s content, especially  when you feel your heart’s beat increase when you contemplate a majestic sunset in Bacochibampo Bay, Guaymas, or when you enjoy a leisure stroll on the beautiful waterfront of La Paz, or when you gaze at the mystic beauty of Mexico’s largest Island: “Isla Tiburón” or when you simply enjoy a refreshing dip in “Rocky Point” (Puerto Peñasco)… no matter what part of the Gulf you’re in, you will always find a place for the “Sea of Cortez” within your heart.

Additional Note: We were also questioned about our pearls’ trade-name: why did we call them “Sea of Cortez Pearls”??? The answer: it was important for us that every single one of our pearls to have their historic legacy in their name; just as a child receives a name from its parents.

For us it was simply not dignified to brand them under a typical commercial name (they actually could have ended with a name like “Perliva“… a “Pearly Diva”) like any other mass manufactured product. We believe in our Pearl and we regard it as a true heir to the pearling heritage of Mexico, and we are proud to be able to produce limited quantities of these beautiful gems in Guaymas, Sonora, right in the heart of the Sea of Cortez…

I now invite you to make a small -5 minute- video- about the history of the “Sea of Cortez Pearl”… until next time…

Once more we have prepared a simple test that you can easily use to help you identify pearls. Some of these identification tests were used years ago to help identify a cultured pearl from a fake (faux) or imitation pearl. Even today this little test can help you to -indirectly- distinguish between different pearls, such as faux perles, freshwater pearls, Akoya pearls, black pearls and, of course, the Gulf of California pearls (also known as “Cortez Pearls“).

So for this test use another natural element but now opposite to the one used previously, now we use WATER. Unlike the “Fire Test” -which is very fun when used on fake pearls- the “Water Test” is not destructive, but it may have an aesthetic value when using it on the “appropriate” pearls. To understand what I’m talking about we first need to see some pictures and then talk about some arcane terms known by the names of “ORIENT” and “OVERTONES”.

Orient & Overtones on Pearls.

There  was much talk about a pearl’s “orient” some decades ago. If you read the discussions of many “connoisseurs”, they would usually talk about the unusual and beautiful appearance of a pearl’s “Orient” but for most of these “experts” it was difficult to explain -in an easily understood manner- this unique trait of pearls. So let us begin to demystify this beautiful visual attribute of pearls … first with the concept of Orient:

Orient:A remarkable phenomenon produced by light being reflected and refracted by the pearl layers, which produces an inner glow. The finer the pearl layer (aragonite crystal), the better the orient of the pearl. (Source)

Or this one as well, which actually confuses two different traits (luster and orient):

The Iridescence of pearls is called “luster” or “Orient”. Pearls show this glamorous play of colours in delicate nuances due to the bow in their surface, enabling us to perceive their brilliance from every angle. The interaction of light rays and surface creates the iridescence, the so called ‘surface colour’ visible as a small circle on the pearl’s outer layer of nacre. The luster depends on the thickness of nacre, numerous layers encasing the nucleus. The layers of nacre act like tiny prisms, refracting light, so it appears as all the colours of a rainbow. (Source)

Hard to understand? In both concepts we understand that “orient” is something really special and beautiful but it fails in giving us a clearer understanding. So, we will use the description -that in my opinion is the more colloquial and understandable- from the “Sea of Cortez Pearls” website:

“When this optical  effect manifests itself as a deep “halo effect” (mostly in the colors pink/violet and green/blue), the pearl may display as a series of concentric rings (with the color gradually changing to another one) that go from the pearl’s diameter and into the center. A pearl with such an effect will never be mistaken as a fake-pearl and it is highly coveted.”

A picture is worth a thousand words they say, so let us analyze one with different pearls: Freshwater pearls, faux perles (imitations), akoya pearls, black pearls and pearls from the Gulf of California:

In these pictures we can see that both Black and Mexican pearls have a special sheen that makes it appear as if that they display various colors and that they do not display just one color…as seen on the other pearls. These “color rings” that seem to float on the pearl are known as “overtones” -when seen on dark colored pearls- and as “orient” on light colored pearls. At this time we will not talk about what causes this unique optical effect to manifest, but we will discuss this another time, but we will talk about using this visual attribute to differentiate pearls.

Water Test on Light Colored Pearls.

We used a small white colored plastic container and placed enough tap water into it to cover the pearls. We then moved to an area with good natural light (not necessarily under the sun), then introduced different pearls in the container. What happens? Water acts as an “visual amplifier” of this beautiful effect (orient/overtones) and, additionally, the white container helps to bounce light in an optimal way on the pearl: if the pearl does display orient or overtones then we will see a big difference . On the other hand, if a pearl does not exhibit this desirable effect… it is an imitation pearl -such as a Majorica/Shell-Pearl- or it could also be a real pearl that simply does not have what it takes to display this visual effect.

So here we have an example. We have a group of “white pearls” or light-colored pearls, including the following: a freshwater pearl, a “Mallorca Pearl”, another imitation known as a “Shell Pearl” and we also have a “Cortez Pearl”. Most of these pearls have a “normal pearl” look (“milky white”), except for Mexican pearls which display a beautiful green and pink orient.

Now, we introduce these same pearls in water and the change is significant: both the imitation pearls and the freshwater pearl had no change and are even “whiter”, but the pearls in the Gulf of California display a pair of color rings. Here we see the pearl’s orient easily:

Water Test on Dark Colored Pearls:

On the dark-colored pearls the results are more evident. Among the pearls used (a black pearl, a dyed-black freshwater pearl, a couple of fake pearls and one Mexican pearl) for this demonstration, several were capable of displaying a good visual effect of overtones. But now, let us see the contestants before being “water baptized”:

Now, let us look at the same pearl but inside water …

In the case of both the dyed pearl and the Tahitian black pearl, the overtones make a stronger appearance  than what can be seen on those same pearls with a naked eye. All three imitation pearls are devoid of overtones, but some would be confused with the “Shell Pearl” because in the photo you may see something similar to a ring, but it really is not … overtones are truly a dynamic visual effect that is best seen personally or in a video. Mexican pearls are noted for their overtones: a true visual spectacle.

Comparing light and dark pearls in Water:

This comparison allows you to see the differences between types of pearls. For example, dark pearls have a marked effect and light-colored pearls displayed no “orient”, perhaps because they were bleached and polished … as it is routinely done with these products.

From left to right: Akoya pearl, freshwater pearl, black pearl and dyed freshwater pearl

Imitation or Fake Pearls:

Imitation pearls do not display this desirable visual effect.

Pearls from the Sea of Cortez:

A rich visual delight … the colors have varied overtones with dynamic appearance, something rarely seen in other pearl varieties or only in Gem quality pearls. These “little things”, these “tiny details” are part of what makes this pearl so unique.

The Video.

And as in other occasions, I have prepared another video about this test because this is a visual and dynamic phenomenon. As with most of our videos, I once more used the “Sea of Cortez Pearl Theme” song, but I really wanted to use David Byrne’s “Strange Overtones ” song … but we all know about YouTube’s policies and I am not the one to argue about this, so I propose you use this link to play the song while you play the video and you can enjoy it in a different way.

By the way, the video shows other varieties of pearls not depicted on the blog, so you might find it interesting even if you have read this entire post.

Until the next installment …

I’ve just returned from a dizzying trip to the always impressive Californian metropolis, where I joined a select group of “Pearl-People” (people linked to the pearl industry) to discuss a subject that we always discuss: pearls,  pearls and more pearls. The interesting thing about such events is that they involve people who are in different areas of this field: pearl farmers, nuclei producers, wholesalers, retailers, designers, gemologists and collectors. In all: quite an interesting array of areas of expertise and depth of knowledge.

A total of 16 people were invited to the “Pearl Ruckus 2010″, an event that was promoted by Jeremy Shepherd, CEO of “Pearl Paradise“, by “Jewelmer” and by “Classical Wines of Spain”. The event included five conferences, as well as several social events where the pampered guests would enjoy fine Spanish wines, exquisite sushi and even indulge in a bit of Whiskey tasting. We were treated like royalty…and as such, pearls adorned all the fair ladies at the event.

Conferences – Saturday 24

Beginning at 10:30 am and ending at around 4 pm, we were fortunate to attend the presentations by the following lecturers:

Blaire Beavers (GemGeek): A comprehensive lecture on “Exotic Pearls”, among which Blair talked about the New Zealand’s Abalone Mabe pearls,  the large orange-colored “Melo-Melo” Conch pearls, the giant pearls of the Tridacna, the beautiful and elusive Nautilus pearls (a relative of “Paul the Octopus“) and, of course, the “Cortez Pearl”. I do have to point out that GemGeek recently visited our farm (last May),but she seemed fascinated by our local fare of regional seafood, and this was quite evident in the presentation, which included pictures of the fish tacos and other delicacies.

Michael Rivers (Mikeyy): Mike’s lecture gave us a very comprehensive, interesting and detailed description of the mother-of-pearl industry of the United States, from the early 20th century to the present; it included pearl mussel fishing methods, the production process of mother of pearl buttons and of the core of most cultured pearls: the little nacre bead. The talk ended with a discussion on the future of this industry.

Renné Newman: This renowned gemologist gave her presentation on the “Zhuji Pearl Market, China” and -much to our delight- she presented the 5th Edition of her famous book “The Pearl Buying Guide“. I must admit that we learned a lot about pearl quality by using the first edition (1992) of this book and that it made us very happy to see several new sections and photographs about our “Sea of Cortez Pearls” in this new edition.

Steve Metzler (smetzler): who has made an incredible effort towards the identification and certification of two types of extremely rare natural pearls: the pearls of the “giant clam” (Tridacna) and those of the cephalopod Nautilus. This research is carried out by specialists from Spain (Dr. Checa & Dr. Cartwright) and we cannot yet disclose information any about it … the information will be published within a few months. Steve’s collection of natural Tridacna and Nautilus pearls is simply unparalleled.

Douglas McLaurin (CortezPearls): Who, as always, was enjoying himself with his presentation about the “History of the Gulf of California Pearl”, with information ranging from the pre-columbian period to the present, including details of the pearl fisheries made by Spanish-Soldier-turned-Millionaire Manuel de Ocio, the farming methods of Don Gaston Vives and the short-lived farm of Don Manuel Lozano Gallo, then easing into the 1990′s research stage and, finally, the commercial aquaculture in Guaymas, Sonora.

Dinner:

What I can say I that I did not mentioned before? We had the most excellent hosts in Jeremy Shepherd and lovely Hisano Takei (who wore a beautiful kimono), we had Sushi chef Hitori Hirata preparing delicious sushi, the best caviar I’ve had, a fine selection of Spanish wines, including a delicious Galician Albariño wine, we had a “Scotch Whiskey Tasting event” with the help of Michael Udhe, and to wrap it all up: the excellent comradeship amongst the guests at this unique event.

I consider myself fortunate to have been invited this year and, God willing, there will be more Mexican Pearls at the 2011 Pearl Ruckus next year …

With great pleasure and satisfaction we announce the presentation of three pearl necklaces for the year 2010. As with all previous pearl necklaces that have been produced in Mexico since our pearl farm started operations, these necklaces are made using pearls from several crops or pearl-harvests; for these 3 necklaces, we have used pearls from the 2010, 2009, 2008 and even 2007 crops. You need extreme patience in order to produce a good string of pearls.

What makes these necklaces so special? Well, they consist of pearls produced in Mexico’s Gulf of California, a region known worldwide for its pearls, and these are cultured using a limited-production (4 kilos) scheme, these are the only cultured pearls that are produced under the “Fair Trade Gems” standards, the only cultured pearls that are produced using a “winged pearl oyster”: the “Rainbow-Lip Pearl Oyster“  or Pteria sterna, thus they are the rarest cultured pearls produced in the world and they also display a pink-red fluorescence under long wave UV rays, and are some of the very few cultured pearls that do not receive any “embellishing” treatments (physical nor chemical) … there are many more things to say about how special these pearls are, but this is just to lay the basics.

What we now need to do is present these three strings of pearls from the 2010 edition:

Necklace 2010 – A

This one consists of a graduated necklace with a length of 20″ (50.8 cm), made with 49 baroque pearls with a size (diameter) of between 8.0 and 8.7 mm, using “B” grade “Cortez Pearls” (“B” grade means that there are skin imperfections on the pearl and that its luster is not very high), the central pearl measure 8.7 x 9.1 mm . However, with its light gray color, unique shapes and its iridescent pearls makes it a truly exceptional piece. It has a simple yellow 18 K gold brooch.

Pearl Necklace 2010 – B

This is an excellent pearl necklace when you consider its price:benefit. It is a baroque pearl necklace, but these pearls are soft baroques (not by human action), in short, although these pearls are asymmetrical shaped they posses very soft shapes that are almost spherical in appearance, thus they look “round” from a certain distance. It is quite uncommon for our Gulf of California cultured pearls to have a perfectly round shape (the reasons will be explained in a future post), thus our spherical shapes attain a far greater value than that of the most common shape: the asymmetric or baroque shapes-so this necklace achieves a relative low cost with great looks or “more bang for your bucks”.

This graduated multicolored 19″ (48.26 cm) pearl necklace consists of 51 baroque pearls with a size between 8.0 & 8.6 mm (diameter) and made with “A” and “A+” grade pearls (this means very good natural luster and a clean pearl surface) of exceptional colors. The result is a rainbow-like necklace with red, green, blue gray, black and purple pearls … As with the previous necklace, it features a plain 18K yellow gold brooch.

Special Edition “Bicentennial” 2010 Pearl Necklace

This is a truly a unique Cortez Pearl necklace, a piece of jewelry fit for a Queen and truly something that very few can own. We’ve placed this necklace at the same level of delicacy -for want of a better word- as some of our finest necklaces such as “Stella Maris” (2009) and “Bohéme” (2008). The central pearl is a gorgeous purple pearl (11.6 mm) with incredible green overtones (obtained from the 2010 harvest).

This 19″ (48 cm) graduated multi-colored pearl necklace consists of 49 near-round Sea of Cortez Cultured Pearls with sizes between 8.7 and 11.6 mm (diameter),  and was made using the only “A+” and “Gem” grade pearls, featuring the most intensely colored pearls available, the highest natural luster and the best surface (“skin”) purity possible using only non-treated pearls. This necklace does not include a clasp, since the buyer usually acquires a specially made clasp for such a unique piece.

So far we have named this necklace as “Bicentennial” (Mexico turns 200 years old as an Independent country this year) but this name will be changed by the owner: in the purest pearling tradition these unique necklaces are named or are “christened” in the manner of other famous necklaces or Pearls of old. In today’s world, the vast majority of necklaces produced do not even deserve a nickname… but high quality pearls with a limited production are still worthy of this distinction.

Where are the other Cortez Pearl Necklaces?

Since our Bacochibampo Bay farm started producing loose cultured pearls in the year 2000, we have only managed to produce eight special pearl necklaces -with characteristics similar to those of the “Bicentennial” necklace- and we have always wanted for these to remain in Mexico, but this has not always been possible. So where are these necklaces? Here’s the list:

• 3 necklaces in Mexico, including the three most perfect and beautiful: “Stella Maris”, “Bohéme” and “Balandra.”
• 2 in the United States of America (“Maria” and “Isabella”)
• 1 in Italy
• 1 in New Zealand

Understandably, the owners remain anonymous. In the case of “Bohéme” it had the distinction of appearing in the book “Pearls” by gemologists Hubert Bari and David Lam, a book where the authors state (on page 86) the following about the “Sea of Cortez Pearl”: “It is perhaps the most beautiful pearl to have been cultured up to now” (Hubert Bari & David Lam. 2010. Pearls. Skira . Italy. 336 pages).

Where will the “Bicentennial” spend its Time? What will be its final name? That will be known soon …so, stay tuned!

Natural Pearls…this small phrase can mean different things depending on which portion of the food chain you are located in, so it can either mean utter nacreous ecstasy or feverish anger. Whatever your feelings are, every year we have the fortune of finding a few natural pearls within our farm-raised “Rainbow Lipped Pearl Oysters” (Pteria sterna). This quantity varies tremendously depending on environmental conditions (although some people have gone far to suggest that this depends solely on the actions and decisions taken by certain Political Party members…but no, it is certainly not the case) and the way these conditions become more propitious for the development of certain bio-elements (just a fancy word for “little water bugs”) that are normally found in our oceans.

For us, 2007 was an astounding year in Natural Pearl production, whereas 2008 & 2009 were not very productive in yield, but we did find a couple of very exceptional pearls (see “The Virgin’s Pearl” account of this same Blog). This year seems to be more similar to 2007 in pearl yield and quality.

So, before we proceed with the data from this year’s natural pearl harvest, let us watch a short video on natural pearl harvesting (taken from the 2007 natural pearl harvest):

If you paid close attention to the video, you will have noticed that all natural pearls were found inside a thin, semi-translucent membrane that was attached to the oyster’s mantle. This membrane is known as the “pearl sac” and it is where the pearl develops…in the same way a baby would develop inside a womb. A similar “pearl sac” is formed to produce a cultured pearl, but in this case the pearl sac develops inside the oyster’s gonad and due to Human intervention. Thus, when we find a natural pearl it is quite a surprise (similar to when you are told your wife is expecting twins…trust me on this), there is no Human intervention in their production. To notice the differences between the harvest of natural pearls (the video above) and that of cultured pearls you can now watch this other video:

Now that you have seen both videos you can realize how differently these pearls come to see the light of day or are “born unto the world”. Another significant difference between natural and cultured pearls is their size: most naturals we obtain are in a size range between 1 to 7 mm, whereas the smallest cultured pearls we obtain measure 8.3 mm in diameter. But perhaps the most striking difference would be quantity: you always obtain many more cultured pearls than natural pearls.

In a future post we will talk more in detail about how natural pearls are produced: their incidence, what causes them to appear (a grain of sand of course!!! sure…maybe it was a politician that came up with such an answer), but for the moment I just want to post some photos of some of this year’s natural pearls…let us begin!

This “cute” little natural pearl has quite some personality. Measuring 1 cm at its widest, it has the shape of a toon-like tortoise, complete with a little eye.

It is not the prettiest natural pearl we’ve harvested here, but it now belongs into a select group of “unconventional” pearls we’ve found, such as: doves, cats, hearts, aliens (pretty certain it was a so called “Gray“) and the “American Classic”: Mickey Mouse.

The next pearls are much more beautiful, but more “pearl shaped”, and by this I don’t mean “round”. Very few natural pearls we’ve harvested (out of hundreds in our 16+ years of work) have been perfectly round, and those that have this shape are usually very small (less than 2 mm).

Now we have a pair of “good sized” (7 mm diameter) baroque shaped natural pearls, slightly flattened (something quite normal in natural pearls). Their main color is dark so they would be considered “black pearls”…a term that I don’t particularly like because the Gulf of California Pearl is much more colorful. The one to the right has a red-wine coloration (probably Pinot Noir) and the one to the left has a  blue-green-violet coloration.

Now, we have a pair of pearl trios. The first one in sizes around 5 mm in diameter, but I believe they are even more beautiful than the larger ones: truly a case of “Bigger is not necessarily more Beautiful”. And the following trio (in sizes of 3 mm) are even more striking: some pearls even display the much coveted and desired “Fish Eye” effect.

These little pearls have very strong overtones, the one in the center having the most intense “fish eye” effect.

And to wrap it up for today…a beautiful pair of 8 mm natural pearls with very different colors: one is light gray with a strong violet overtone, the other one has a dark electric-blue coloration. One reason why pearls were known as “Unios” in the Latin language of Ancient Romans is because they were clearly unique, distinctive. These natural pearls are truly deserving of such name…but their Gulf of California Cultured Pearl counterparts are just as unique as their famous predecessor…you will not find any “Clonios” around here.

In our next edition: Cortez Keshi Pearls from the 2010 Harvest. See you next week!

And now we will continue with last month’s story about our visit to ruins of the World’s first pearl farm and we will go and revisit each area step by step.

The Arrival

Our boat came to rest on the beach, but not a sandy beach but more of a rocky beach full of large oval-shaped water tumbled rocks that make walking quite difficult. Any of you that have visited the local beaches of “Las Saladitas” and “Piedras Pintas” in Guaymas will understand what I mean: the rocks just slide from under your feet and may make you fall. Our boat remained in the water, in an area that once had some concrete and rock slabs that were used as a ramp for loading and unloading boats and other aquaculture equipment.

Landing at Isla Espiritu Santo

And it is quite interesting to notice that even tough the ramps are not there anymore (maybe underneath many kilos of rocks there could be something) -or they are simply not noticeable- you can still find indications of their whereabouts thanks to the useful tool known as “Google Earth”. Yes, if you examine the satellite images from Ensenada de San Gabriel you can see some areas -inside the ocean- where some lines are perpendicular to the coastline: one of these being the ramps -they had a lot of use, because they were needed for the farm’s aquaculture operations and to provide food and water to the thousand employees they had on this desolate island.

Google Earth images of the Pearl Farm site

Another thing of interest is that, after almost a Century of abandonment and being exposed to countless hurricanes, you can clearly what is left of masonry work and even of the more modest wooden buildings.

Storage Buildings

Walking to our right (to the west of our landing site), at about some 100 meters from the coastline we found a heavily impacted land area: scarce vegetation, some “Chivato” bushes (Calliandra sp) and “Choya Cactii” (Opuntia sp), a marked difference with the typical Sonoran desert vegetation found in the surrounding area: large columnar cactii -mainly Organ-Pipe catus and Barrel Cactus- and spiny shrubbery. Clearly, this land was compacted for use as sheds, shaded storage area and maybe even for barracks for the farm’s workers.

This small video (part 1) of our visit to the farm may give you better insight:

For the most part, the storage sheds must have been built with commercial wood (which we found in a very deteriorated state, possibly cedar wood) with the roofs being built with palm fronds and/or wood planks. What was stored under these? You can imagine that many were used to house your average tools, such as axes, saws, mallets, etc., one of them must have been a small forge to produce nails and work on chains and cages, some used for living quarters and cooking, but what was the purpose of this unique farm? To produce a valuable commodity: mother-of-pearl shell (MOP). We have fist hand information (from writings by Dr. Vivés himself) that shed some light on this beautiful natural product (plastic became an alternative for MOP shell, thus many nacre/MOP producing regions closed-down).

The MOP produced at this farm came from the farm-raised Black-Lipped Pearl Oysters (Pinctada mazatlanica). The company had 4 different grades (or qualities) for MOP shell. This is the information they provided at the end of the Mexican Revolution as to the value for MOP at the International markets:

1. “Extra” Grade: made up of large shell (over 15 cm in diameter), with very regular/uniform shapes, without spotting nor drill-worm holes.Valued at $1,000 USD per metric ton.
2. “First” Grade: shells with sizes between 9 to 14 cm, without spotting nor holes. Valued at $400 USD/ton.
3. “Second” Grade: mainly small shells (sizes between 7 to 9 cm) and “clean” (no spots nor holes), but also mixed in with larger shells (9-15 cm) but with defects and imperfections. Valued at $200 USD/ton.
4. “Third” Grade: Mainly consisting of broken shells or with shells with considerable damage (spots & holes) in at least 50% of its surface. Valued at less than $100 USD/ton.

We did find evidence of MOP shell mounds throughout the entire area. Most of the shells having suffered from weathering effects. It is hard to say if these shells are all that was left behind after the destruction of the pearl farm in 1914, or if these are more “recent” shells (no older than 30 years) left behind by fishermen that were illegally fishing them for their pearls. The shells are brittle, have a warm coppery color and most of their protein coating (periostracum) has dissapeared…but are still beautiful and shinny.

MOP Shells

MOP shell had a very important economic value before the use of plastic and was used intensively for the manufacture of buttons, jewelry boxes, knife/firearm handles, jewelry (cameos), chess-sets and even for traditional Asian medicine. Several places flourished economically due to this demand: Broome in Australia (using the large Silver Lip Oyster or Pinctada maxima), Muscatine in the United States of America (using many species of pearly mussels) and -of course- La Paz, Mexico.

As a matter of fact, the main economic source for the farm was the production of MOP shell…the pearls were a much welcomed by product: a gift from God or Nature. In those days only natural pearls existed (cultured pearls were in a research stage in Australia and Japan). Some sources state that the quantity of MOP shell that was exported from the Gulf of California (mind you: these figures do not include the shell that remained in Mexico) between the period comprised by the years 1580 and 1857 was of 95,000 metric tons, roughly converted to 277 tons per year. If we converted this volume to monetary value -using a 3rd grade figure- we are talking about $28,000 USD of 1910 (we would have to convert this figure to its present economic value) which is not bad for those days: $101 USD per ton or…

I would personally stick with the “Unskilled wage” indicator… but would really appreciate hearing from others and see if we can come up with a better figure or even for a “real market price” for MOP these days.

Let us try some math here again. This pearl farm (CCCyP ) is said to have had between 8 to 10 million black-lip oysters under culture conditions. Documents from the farm and Dr. Gastón Vivés state that the annual harvest consisted of some 5 million oysters. An average 4 year-old shell measures some 12 cm in diameter and weighs 10 grams and each organism has two of these (=20 grams of MOP per oyster), thus if we extrapolate we will have 200 kilos per thousand oysters, so 1 million oysters might have produced 200,000 kilos and multiplied by 5 we get 1,000 tons of MOP per year. Of course, this information is not accurate because we lack information on the percentage of shell that was discarded due to low-quality (and some other figures that would help have a better price estimate, such as the percentage of their sizes and their grades) but what I want you to NOTICE is how this one farm could have been able to supply the entire export of MOP shell and the domestic market as well, WITHOUT fishing out the local pearl beds.

A pearl farm can indeed have a positive impact on the local environment if managed in a sustainable manner.